The A to Z of Writing

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Just because everybody loves a good listicle (so I hope it qualifies), here’s the A to Z of writing.

A is for Authenticity – you don’t have to know what you’re talking about. Write what you know, write what you don’t know but just make sure you sound like you know what you’re talking about. If you write about the police force and someone actually in the police force reads your book lacking in accuracy or verisimilitude (the ring of truth), then that person won’t hesitate to tell the world. And you’ll just come off as someone who couldn’t be bothered doing a little bit of research.

B is for Brainstorming – it’s one thing to have an idea but to bring it to life with all the little details that give it depth, you’ll have to do a lot of brainstorming. If you want to write about a man who kills his father, great (maybe not for your father, who might wonder why). But it becomes two very different stories depending on whether the son had a happy upbringing or an abusive one. And only brainstorming will get you to the point where the story makes meaningful sense. Continue reading

When You Don’t Want to Write Anymore

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I’ve wanted to be a writer since I was a child. There were some casual flirtations with other career options during my teenage years: lawyer (I did work experience at a suburban law firm), political operative (I studied Australian and international politics as part of my Bachelor of Arts degree when I was 17, 18 and 19) and strangely even a hairdresser when I was in primary school (I think there may have been some peer pressure involved with this one).

But most writers don’t earn enough to just write so even after finishing my Bachelor of Arts and going on to finish a two-year writing and editing qualification and start a master’s degree in writing, I forged a career elsewhere. I started in administration (isn’t that where everyone starts?) to get some office-based experience and wrote in my spare time. I moved into an editing role in the same industry that I gained my administration experience and continued writing in my spare time.

And then finally I got my first writing job. A corporate job in a sales and marketing department in a new industry, writing tender responses and sales proposals for corporate clients as well as a variety of other types of content aimed at convincing people to hand over fistfuls of money. And I stopped writing in my spare time. Continue reading

The Fundamental Misunderstanding About Full-Time Writers

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At the end of February 2015, I finished a six-month contract and decided not to look for another full-time job straight away. Instead, I was going to write. I was going to devote all my available time to writing.

I had the savings to be able to do it. It was financially irresponsible in the long term but important to my sanity and the amount of writing I was able to do in the short term. So I did it.

In the first few months, people were supportive. “Good for you!” “You look so relaxed.” “God, I’d love to be able to do the same thing.” After a few months, people were concerned: “When are you going to start looking for a job?” “Are you okay for money?” “Don’t you get bored?” Now, after more than six months, people are disapproving: “You’re still unemployed?”

And this is where the fundamental misunderstanding referred to in the heading rears its ugly head. I am not unemployed. I am a writer. I am financially supporting myself. And I work a full-time job just like anybody else. Continue reading

Exposure Versus Exploitation: Should You Work for Free?

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You’re starting your career or perhaps embarking on a new one and while you have the theoretical knowledge, you don’t have the experience (the first of many ‘e’ words that will dominate this article). So should you take on some unpaid work for the exposure (there’s another) or is this just yet another form of exploitation (and a third, for those of you playing the home game) of the employee (four) by the employer (okay, I’ll stop now)? Continue reading