When it comes to character development, there are certain things that have so much more impact when a character does them sparingly instead of frequently. Here are a few things that I think pack more punch when they aren’t happening all the time.
Smoking Smoking has to be the number one activity that has more impact when it’s used infrequently. A cigarette to settle the nerves. A cigarette to show how the smoker’s hands are shaking uncontrollably. One last cigarette before the execution. Apart from anything else, if a character has enough time to be a pack a day smoker, then I doubt there is enough going on in the story. And it’s such a clichéd affectation for the bad guy, we might as well just put him in a black hat.Continue reading
I love character development but these days I always prioritise plot development, perhaps because it comes less naturally to me. But unlike character development, plot development is a much broader concept. Sometimes a good way to see if your plot is working is to compare it to some of the theories of how stories should be structured.
Back when I was doing my master’s degree, there were four theories I used to prepare my major assessment piece for the Script Adaptation subject. They’re not specific to script adaptation or even screenplays, but these theories are generally known as film theories.
So what? If it works, it works, regardless of whether we’re talking about short stories, novellas, novels, films or documentaries.
It might not work for everyone but if you compare your plot to these structures and find you can’t identify a key act or part in your story that these theories say it should have, perhaps you might have found the missing link.Continue reading
Once upon a time, there was only one way I developed characters. I started with an aspect of my own personality – thereby starting from a base of something I could understand through my own personal experience.
Of course, those characters didn’t remain these one-dimensional people for long. I began to build, adding traits and mannerisms and experiences completely removed from my own. In no time those characters would be completely unrecognisable from me except for that one, often deeply hidden, aspect that we shared.Continue reading
For months now, the top of my ideas board has been occupied by the following yet to be explored (until now) idea for a blog post:
“Taking inspiration from the things you see around you every day (myself as murder victim or suspect – what could the police tell about me from my house?)”
For some reason, I kept focusing on the bits and pieces tacked to my refrigerator including photographs of and drawings by various nieces and nephews. And, of course, what these things say about me is that even though I’m single, I am part of an extended (and still growing) family and I am loved. But recently something happened that made me realise I’m too close to the subject matter. Not able to see the forest for the trees.
Because being an aunt is not my defining characteristic and upon entering my house in the event of my unnatural death or to arrest me for someone else’s, the fridge is not the first thing the police would notice.
At the heady heights of the Twilight movies success and as The Hunger Games movie was beginning to grip everyone as well, a friend suggested that I should attempt to write a similar series of books. Young adult for all intents and purposes but with mainstream crossover potential and, most importantly, with film adaptation in the forefront of my mind.
Perhaps for those who aren’t writers, it seems that writing a successful book series that becomes a successful movie series is as simple as having the idea and seeing it through. But knowing what will strike a chord with young adult readers and Hollywood producers at any given moment is almost impossible – I’m still trying to figure it out.