Why is it so hard to write a good ending? Why do we struggle and agonise and draft and redraft and throw it all away to start again, usually more than once? I wish I had a gloriously psychological answer that delves into how writers don’t want to let go of the worlds and characters they have spent so much time immersed in and therefore subconsciously sabotage themselves. Instead, I have the opposite – a horribly simplistic reason that won’t make any writer feel any better or any more capable of writing a good ending.
So what is it? Why, regardless of whether we are writing a poem, a short story, an article, non-fiction or a novel, do we struggle to write good endings? Well, it all comes down to this: it’s hard!
Told you it was simple. Frustratingly, annoyingly, head-scratchingly, solution-defyingly simple.Continue reading
If you’ve ever read a poem, a short story, an article or a book or seen a play, a photograph or a painting so evocative that you thought, “This should be a movie,” then you’ll know it’s often the first step towards the creation of something new and wonderful yet familiar and comfortable. Regardless of where the idea begins and where it ends up, after that first step there are several more that will help ensure that when using the source material of others, you do so with honesty and respect.Continue reading
Now that the self-publishing of ebooks (electronic books) and pbooks (physical books) is so easy, many writers choose to distribute both instead of just focusing on one. There are similarities in the preparation processes for both but there are also differences. Knowing them in advance instead of discovering them along the way can help minimise the time it takes to achieve publication.Continue reading
Do you ever read your own writing? Not as part of a rewriting and editing process but just for pleasure? In the last five years, I’ve written over half a million words – it may even be closer to a million – in the form of articles, blog posts, book reviews, novels and non-fiction books. And that doesn’t include all the paid writing – tenders, case studies, websites, brochures and other types of marketing copy. I can’t possibly remember it all. So sometimes I go back and read bits and pieces of my own writing.
There are a lot of books out there, I like discovering new ones and I’m not narcissistically self-indulgent so after the rewriting and editing process, I’ve never sat down and read one of my own books from cover to cover. But every now and then I’ll bring up one of my book reviews, articles or blog posts and read it through.Continue reading
Based on that heading, you might have thought this was going to be about an entirely different topic but fear not! Religion and politics are the two discussion subjects to avoid for an easier life and since I’ve already ventured into politics (in a very small way), I won’t push my luck with religion.
Of course, the creation and evolution I’m talking about here relate to character development: who your characters are at the beginning of your story and who they become as the story unfolds and concludes. The two stages have a lot in common but there are important differences in getting each of them right.Continue reading
Let’s face it – there are so many rules in the English language that no one (not even a trained editor like me) can know them all (that’s why I have lots of reference books to make sure I get it right more often than I get it wrong). But if the rules and the reference books aren’t your thing, there are a few things you can do to cheat your way to better editing.
Minimalise Headings The rules state that certain words in headings shouldn’t be capitalised, such as “a”, “the” and “and” (unless they are the first word in the heading). There are more groups of words that aren’t supposed to take an initial capital. But do you know what they are? More importantly, do you care?
So an easy way to avoid having to figure it out is to use the minimal approach – that is to only use an initial capital on the first word and to leave all others uncapitalised.Continue reading
How long have you been writing? I don’t know where the time has gone but it’s been over twenty-five years now. I started, like all children, writing adorable yet cringe-worthy stories for my primary school English class, progressed to angsty poetry in high school and by Year 12, I was writing a novella. When I started university, I moved into writing romance. I was so sure that I was going to be the next queen of Australian romance fiction. But I found the confines of the genre very limiting. I didn’t want to write one thing, I wanted to write everything.Continue reading